Rosemary Jolly, Queen's U
Pedagogy, Politics & Aesthetics in Theatre for Women in South Africa

This presentation draws on research that I have been doing in South Africa in two spheres. The first of these is South Africa’s Truth and Reconciliation Commission (TRC), in which victims of apartheid violence told their stories to create a hearing for these victims and to educate the broader South African population concerning the gross human rights violations (GHRVs) that took place during that era. The second setting is in the private home of women who have long been inhabitants of Soweto. Each of these settings constitutes a dramatic forum with distinct conventions in terms of setting, rituals of storytelling and body language. The differential construction of these spaces both curtails and enables the recognition of certain sorts of identity, suggesting that victim-survivors may require different settings for the relation of their particular experience. The national, public space of the TRC has certainly been a productive locus for some; but the creation of an audience for those whom the TRC proceedings overlooked or did not, by virtue of the TRC’’s mandate, accommodate is urgently required in post-apartheid South Africa. This paper introduces the prospect of staging such spaces of listening.
05/25: 1115
 

Newsletter / Bulletin 26.1