Wes D. Pearce, U of Regina
A Place for Us?: Gay Men in Contemporary Theatre
Historically and traditionally, the theatre has been seen (depending
on the politician/moralist/psychiatrist) as either a sanctuary and safe
haven for gay men or a dumping ground for deviants. This paper examines
whether homophobia exists within the world of theatre but is ignored or
under-represented because of established cultural/societal assumptions.
The gay experience in theatre as institution, community, and academic experience
are examined because of their divergent beliefs and needs. Examining the
institution of “theatre” it becomes evident that while mainstream theatre
audiences may embrace the individual gay artist there is still a great
deal of discomfort with theatre boards, sponsors and audiences when dealing
with gay issues within a larger social context. The theatre community,
is understood as being gay positive but even the theatre community is not
as universally safe as expected. The experience for many gay students in
theatre departments is not one of inclusion but rather difficult years
of trying to fit/play into the dominant culture without much support. This
paper does not argue that theatre is inherently homophobic or evil, but
rather that by probing long held cultural assumptions new understanding
and support can be created.
05/27: 1045
Newsletter / Bulletin 26.1