Valerie Senyk, Laurentian U
The Terror of Performing Not I: An Actor's Notebook

Samuel Beckett's play Not I from 1972 pushes many theatrical boundaries by placing a character onstage called MOUTH, who is, literally, just a mouth. MOUTH belongs to a seventy-year-old woman whom we cannot see, and who cannot see her audience. Everything except her mouth is cloaked in blackness. MOUTH delivers a stream-of-consciousness monologue, broken only by enigmatic gestures from a black shrouded figure onstage with her, while in a twilight moment between life and death. The monologue includes the woman's sensations of dying, along with vivid vignettes of her life from birth until the moment when she falls unconscious in a field. When I was cast as MOUTH in October 2001, with Black Dog Productions, in Sudbury, Ontario, I soon learned that the role required me to push physical, intellectual, emotional and psychological boundaries within myself, unlike any other role had. This resulted in a personal experience of terror that soon encompassed rehearsals and performances alike! My acting journal became the recipient of the tortuous process I went through.
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Newsletter / Bulletin 26.1