Mary Jane Warner, Jennifer Bolt, Kathryn Lee Tovey, York U
Canadian Performance Practice:Pioneering Canadian Dance –The Contributions of Evelyn Geary, Gladys Forrester and Lilian Jarvis

This panel examines the careers of three Canadian women who contributed to dance in Toronto. Their careers followed different paths, but each explored new areas of dance. As a child Evelyn Geary appeared in stage shows at local movie theatres, then toured with Captain Plunkett. After a stint at the Roxy Theatre, she returned to Toronto to join the Uptown Theatre as a featured dancer and choreographer. Soon after, Boris Volkoff joined the Uptown, but with the theatre’s close in 1929, they ran a dance studio until Geary resumed her dancing career in the United States. Gladys Forrester moved to England with her army husband during the war, where she trained, and performed in The Red Shoes. Returning to Canada, she joined Volkoff’s Company and taught at Toronto’s Canadian School of Ballet in 1952. That same year Forrester was invited to choreograph for the first CBC Television broadcast. She worked in television until local TV shows were replaced by large-scale American productions, then returned to full-time teaching. Lilian Jarvis studied ballet with Volkoff before joining the National Ballet of Canada as a charter member in 1951. Rising to principal dancer, she performed lead roles in many ballets, before moving to New York, in 1963, to study modern dance with Martha Graham. Returning to Toronto Jarvis taught modern dance for various dance studios and developed her own innovative training method called BioSomatics.
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Newsletter / Bulletin 26.1